Carmine Appice attacks from the right, while Vinny sets up on the left for ‘Drum Wars Live!,’ creating a gloriously thunderous racket.

Though a myriad of musical fashions pepper Jamie Hoover’s ‘Two Ever,’ a potent pop feel is engraved within the grooves.

If there’s a balm for fans to ease the breakup/hiatus of Nevermore, it has to be this: The first new music from Sanctuary since 1989.

Keith Jarrett’s ‘Hamburg ’72,’ with Charlie Haden and Paul Motian, bears witness to a talent in the process of exploding in many directions.

Cracker always stood with a foot in both of these California music beds. ‘Berkeley to Bakersfield’ fully explores their twinned inspirations.

A Yes pre-cursor group, Mabel Greer’s Toyshop has returned — with a whole new set of connections to the legendary prog amalgam.

Electroacoustic musique concrète might not make for the most harmonious sound, but it can be so fascinating. Especially when Attilio Novellino, Saverio Rosi, Tim Barnes and Rob Mazurek pool their ideas together.

As FLUX debuts in Nashville, Adrian Belew joins us to talk about how this innovative new app will impact the way his music arrives in the future.

Here’s a thorough and essential song-by-song guide to Paul McCartney’s post-Beatles career, from 1970’s ‘McCartney’ to 2013’s ‘New.’

Andreas Varady’s Steely Dan remake begins with an approach out of the Wes Montgomery playbook. Then something interesting happens.