‘Protocol 4’ is another example of how Simon Phillips never rests on his laurels.

Always putting spirituality above improvisation, Brian Blade and The Fellowship Band connects to listeners in a way uncommon for jazz musicians, and ‘Body And Shadow’ continues a remarkable consistency of mission and quality spanning two decades.

In typical fashion, the follow up to 2014’s somber ‘Morning Phase’ is perhaps Beck’s most upbeat and funky album to date.

Sounding like nothing on the airwaves, or even in underground music circles, Drywater was either several years behind or a few years ahead of its time.

Marcus Randolph’s debut album ‘Transplant’ is heartfelt but also very loose, and it’s both of those qualities together make it a fun listen.

The Beatles’ controversial visit to Maharishi Mahesh Yogi inspired one of the most bitter John Lennon compositions.

Like all of Lucas Lee’s albums, nothing is left to chance, yet there is a level of passion which is so invigorating.

As usual, Pink doesn’t shy away from the spotlight, controversy and speaking her mind. The issue here is how these songs are presented.

‘Waves’ arrives on the heels of Rachel Platten’s success with 2015’s “Fight Song,” an anthem of empowerment and strength.

Tim Kuhl’s new single “The Neon Design” begins tamely and ends a little ferociously.