The Hot Club of Philadelphia’s ‘Gypsy-Americana’ is joyful, very listenable and well worth the five-year wait for fans.

Released a decade ago this week, ‘True Love Cast Out All Evil’ stands as Roky Erickson’s last heartfelt invitation back to a career often ofter looked.

GRID doesn’t make music suitable for most moods, and they never set out to do that.

Trombone Shorty’s tenure as one of New Orleans’ main music ambassadors began 10 years ago today with the release of ‘Backatown.’

Here is the world premiere of a trio of tracks from San Francisco Bay area guitar provocateur Karl Evangelista, from his upcoming album ‘Apura!’

‘Witch ‘n’ Monk’ transcends definition, cheerfully sitting on the outer reaches of contemporary music, jazz-punk and experimental music.

With every member having chops, pipes and creative flair, ‘Threesome Vol. 1’ introduces the Lickerish Quartet as Jellyfish’s rightful successor.

‘A Tribute to Keith Emerson and Greg Lake’ once again opens doors of nice colors, better words, weird and interesting stuff, and quasi-intellectual ideas.

Make no mistake, Austin *does* have an avant-jazz/improv music scene that’s just not as well known outside of town. With more records like ‘Tau Ceti’ from Lisa Cameron, Tom Carter and Ingebrigt Håker Flaten, that should all change.

Ross Boissoneau caught up with Todd Rundgren for a discussion on growing as an artist, learning through listening, and shared musical experiences.