Blue Note at 80: Revelatory Reissues From Kenny Burrell, Andrew Hill + Others
Tone Poet audiophile reissues of classic albums by Kenny Burrell, Dexter Gordon and Andrew Hill continue Blue Note’s celebration of its 80th year.
Spotlight
Kiss, Sept. 7, 2019: Shows I’ll Never Forget
I had misgivings based on my last lackluster experience with Kiss, but in the end, I was glad that I went.
The Temptations’ Psychedelic Era Came into Focus on ‘Puzzle People’
Released 50 years ago this week, the Temptations’ ‘Puzzle People’ is a blast of hard-edged soul, blistering funk fumes and acid-baked artiness.
Elvis Costello’s ‘The Delivery Man’ Once Again Resisted the Urge to Look Back
Elvis Costello referenced past triumphs 15 years ago this week with ‘The Delivery Man,’ but he was never beholden to them.
Why Pop Will Eat Itself’s ‘Dos Dedos Mis Amigos’ Has Aged So Well
Released 25 years ago this week, ‘Dos Dedos Mis Amigos’ found Pop Will Eat Itself swerving into the then-hip industrial sound.
Mark Knopfler Touched on Both His Past and Future With ‘Get Lucky’
Released 10 years ago this week, Mark Knopfler’s ‘Get Lucky’ offered us a compelling distillation of his thematic and musical storytelling.
How ‘The Chair In the Doorway’ Became Living Colour’s Heaviest Album
Released 10 years ago this week, ‘The Chair In the Doorway’ found Living Colour taking on darker themes.
Why You Should Have Celebrated Tears For Fears’ ‘Everybody Loves a Happy Ending’
Released 15 years ago this week, Tears For Fears’ reunion on ‘Everybody Loves a Happy Ending’ for some reason went largely ignored.
Eric Clapton, “Motherless Child” from ‘From the Cradle’ (1994): One Track Mind
25 years ago, Eric Clapton — finally, blessedly, in a moment that fans had been hoping for since he left John Mayall in 1966 — let the blues overtake him.
How Muse’s ‘The Resistance’ Gloriously Lived Up to Their ‘Derivative’ Tag
The Muse returned 10 years ago this week with a fun album that paid tribute to their many influences. Does anybody remember fun?
