Jon Anderson and Trevor Rabin discuss the creative process that led to Yes’ deeply underrated ‘Shoot High, Aim Low,’ released as a single on Dec. 31, 1987.

A year after their own induction, Hall and Oates keep up pressure on the Hall of Fame to honor several Philadelphia greats. Find out who.

Glyn Johns, who did an early mix of the Beatles ‘Let It Be’ before Phil Spector added his infamous Wall of Sound, remains horrified 45 years later.

Stuck for a beginning, Isaac Hayes tracked down Steve Cropper elsewhere in the Stax building — and the final piece of a Sam and Dave hit emerged.

Once again, a new Fleetwood Mac album has pushed solo projects to the back burner for Lindsey Buckingham — but perhaps for the last time.

More than any other album, ‘Speak No Evil’ is the reason why we often put that word ‘legend’ in front of Wayne Shorter’s name.

As 2014 began, I pledged to go to fewer concerts. Instead, as my Best of 2014 shows, I saw great moments from St. Vincent, Seth Walker, Yes, and others.

As Queen preps for a streaming New Year’s Eve concert, Brian May explores why their collaboration with Adam Lambert has been so successful.

Foghat made an overt reference on “Honey Hush” to the Yardbirds’ Jeff Beck-era update of “Train Kept A-Rollin’.” Their connection goes further back.

Yoko Ono considers what’s ahead, and it might surprise anyone who has thrilled to her impressive run of No. 1 songs on the dance charts.