Released on January 12, 1970, “Come and Get It” became Badfinger’s first Top 10 U.S. hit. By the end of the decade, it had brought them together again.

When Julian Lennon was looking to finish ‘Everything Changes,’ he returned to a last drive with his late father — and Aerosmith on the radio.

Between age-old rock snobbery and this nasty squabbling, it’s easy to forget what once made the Little River Band great. Time for a cool change.

When Styx’s “Babe” went to No. 1 at the close of the 1970s, Dennis DeYoung says his former band wasn’t the only one that was changed forever.

Paul McCartney admits to “getting a little bit jealous” over a hit Elvis Presley remix from the early 2000s. A few years later, the Beatles’ ‘Love’ debuted.

Dave Kilminster had more to worry about than helping to recreate a Pink Floyd classic during Roger Waters’ epic presentation of ‘The Wall.’

Micky Dolenz unravels some common misconceptions involving the Monkees and the Beatles, starting with how his band spelled its name.

Here is a stream of “For Clark,” pianist Justin Kauflin’s touching tribute to his friend and mentor, Clark Terry.

Steve Cropper talks about the signature element, finished after Otis Redding’s tragic death, that made ‘Dock of the Bay’ complete.

Adam Lambert has been working with Queen since 2009, but has yet to follow Freddie Mercury and Paul Rodgers into the studio with them.