Tucked away inside the largely avoidable ‘Give My Regards to Broadstreet,’ issued on Oct. 22, 1984, was Paul McCartney’s first real rock song in years.

Listening again, it becomes obvious the Bay City Rollers were one of the most underrated and misunderstood bands of the 1970s.

When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.

Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?

With ‘Break Up the Concrete,’ released Oct. 7, 2008, the Pretenders found their old edge – but not with a return to hard-driving punk styles.

Kiss’ ‘Sonic Boom,’ released on Oct. 6, 2009, was packed with hooks, anthemic choruses, and a lifetime supply of innuendo. What’s not to like?

‘Goodbye Yellow Brick Road,’ released on Oct. 5, 1973, illustrates why – and how – Elton John became Elton John.

Every song from Taj Mahal’s ‘Maestro,’ released on Sept. 30, 2008, was a change up. He’s a Swiss Army knife of the blues.

‘Back on the Streets,’ released on Sept. 30, 1978, underscores why Phil Lynott asked Gary Moore to join Thin Lizzy.

Walter Becker’s ’11 Tracks of Whack,’ released on Sept. 27, 1994, is both a neglected minor treasure and a delightfully peculiar album.