Kiss’ return-to-form Sonic Boom was anything but a guilty pleasure for me
Kiss’ ‘Sonic Boom,’ released on Oct. 6, 2009, was packed with hooks, anthemic choruses, and a lifetime supply of innuendo. What’s not to like?
Kiss’ ‘Sonic Boom,’ released on Oct. 6, 2009, was packed with hooks, anthemic choruses, and a lifetime supply of innuendo. What’s not to like?
‘Goodbye Yellow Brick Road,’ released on Oct. 5, 1973, illustrates why – and how – Elton John became Elton John.

Every song from Taj Mahal’s ‘Maestro,’ released on Sept. 30, 2008, was a change up. He’s a Swiss Army knife of the blues.
‘Back on the Streets,’ released on Sept. 30, 1978, underscores why Phil Lynott asked Gary Moore to join Thin Lizzy.
Walter Becker’s ’11 Tracks of Whack,’ released on Sept. 27, 1994, is both a neglected minor treasure and a delightfully peculiar album.
When John Lennon returned in 1980 with some of the most contented sounds of his career, it gave greater weight to an earlier tune like this.
‘The Incident,’ released this week in 2009, helped establish Porcupine Tree as a melodically inclined, less wank-inclined progressive rock band.
Steve Howe and Chris Squire talked to us about Yes’ ‘Magnification.’ Released on Sept. 11, 2001, it would be their final album with Jon Anderson.
Don Was talks about the mistakes he made while producing Bob Dylan’s ‘Under the Red Sky,’ released on September 10, 1990.

With ‘Baboon Strength,’ released on Sept. 9, 2008, Charlie Hunter didn’t waver so much between an R&B-influenced feel and the abstract.