Listening again, it becomes obvious the Bay City Rollers were one of the most underrated and misunderstood bands of the 1970s.

When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.

Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?

With ‘Break Up the Concrete,’ released Oct. 7, 2008, the Pretenders found their old edge – but not with a return to hard-driving punk styles.

Kiss’ ‘Sonic Boom,’ released on Oct. 6, 2009, was packed with hooks, anthemic choruses, and a lifetime supply of innuendo. What’s not to like?

‘Goodbye Yellow Brick Road,’ released on Oct. 5, 1973, illustrates why – and how – Elton John became Elton John.

Released on Oct. 4, 1999, ‘Run Devil Run’ found a heartbroken Paul McCartney in the beginning stages of a still-on going creative resurgence.

Every song from Taj Mahal’s ‘Maestro,’ released on Sept. 30, 2008, was a change up. He’s a Swiss Army knife of the blues.

Robbie Robertson found another deeply resonant setting for his unique brand of storytelling with ‘Storyville,’ released on Sept. 30, 1991.

‘Back on the Streets,’ released on Sept. 30, 1978, underscores why Phil Lynott asked Gary Moore to join Thin Lizzy.