by S. Victor Aaron Soul-jazz was never a major genre, even in its seventies heyday, but the boys from Houston who called themselves The Crusaders were doing it better than just about anyone else then…and now. You May Also Like: No related posts.

by S. Victor Aaron Piano records are tough to pick, because there’s always the temptation to include records by Keith Jarrett, Chick Corea and Bill Evans: 1) The Michael Wolff Trio; Jumpstart (1995)Before this guy was twenty, he was already good enough to be playing in Julian “Cannonball” Adderley’s band.Read More

After pulling off what could pass as one of the most improbable comebacks in rock history, Steely Dan re-emerged a mere three years later with another serious effort, Everything Must Go. Donald Fagen and Walter Becker modified their approach to this album somewhat to set it apart from the prior,Read More

Get your hands on Maceo Parker’s ‘Roots Revisited.’ It’s good, organic funky soul covering classic tunes by giants like Ray Charles, Charles Mingus and Sly Stone.

Much as Neil Young was the elder godfather to the grunge bands of a decade ago, guitarist John Scofield now enjoys a similar stature among the numerous funk-jazz jam bands that have sprouted up in the wake of the emergence of Medeski, Martin and Wood in the mid-nineties. Many ofRead More

by S. Victor Aaron PETER ERSKINE, Sweet Soul (1991) I’ve got scads of records led by John Abercrombie that show Erskine’s prowess on the skins better than this record. But here, Erskine does such a great job leading an ensemble that shifts from track to track. On some, we areRead More

1) Little Walter, “His Best”First gaining fame as a member of Muddy Waters band, Marksville, La.-native Little Walter pioneered the amplified harp sound that is often imitated but has not since been duplicated. Chess Records (now part of MCA) released a “Best” series that rank as one of the bestRead More

This time we look at albums with grooves in the pocket even if they weren’t much in the press: 1) Herbie Hancock, Mr. Hands (1980)The seventies began very creatively for HH, first with the space funk Mwandishi albums followed by the better-known Head Hunters period that firmly eastablished Herbie’s pre-eminanceRead More

by S. Victor Aaron On the Columbia re-release of Miles Davis’ “The Complete In a Silent Way Sessions” … This 3 cd set covers Miles Davis’ recoding sessions from September, 1968 to February, 1969, chronicalling the line of demarcation between “acoustic Miles” and “electric Miles”. It is an important pieceRead More

Another in a series of overlooked jazz classics. This time we look at diamonds in the rough by perhaps the single most influential figure in jazz since World War II: Miles Davis. A high profile artist whose work has been picked apart as much as Davis’ won’t have a lotRead More