by S. Victor Aaron I know exactly what our own Mark Saleski speaks of when he states that “music obsessives and regular folks alike know of the song/memory retrieval phenomenon — you hear a song and instantly remember where you were the first time you heard it.” Moreover, a songRead More

Maybe it’s just me, but I think we’re in the midst of a full-fledged revival in jazz organ, led by a newer generation of players who have gone beyond mimicking the tried and true voicings of Jimmy Smith, Jack McDuff and Richard “Groove” Holmes. In that group of innovative newRead More

by Pico As the most popular pop band of all time, it naturally follows that the Beatles have been the most-covered band of all time. Their songs’ popularity has extended into every form of music, and that greasy, soulful organ jazz has been no exception. Before the Beatles were evenRead More

by S. Victor Aaron When Jon Irabagon signed with the mighty Concord Records after bagging the 2008 Thelonious Monk International Jazz Competition for saxophone, you might assume that he would have left behind his wild side to become a more “serious” player. But his continued involvement in the gangsta jazzRead More

Sometimes, we need reminding that Chicago was once a rock/jazz/blues/R&B/whack jazz band masquerading as a mainstream rock band.

photo: Jimmy Katz by S. Victor Aaron When a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy. We witnessed this with Art Tatum’s Solo Masterpieces recordings made at the end of his life. The same goesRead More

by S. Victor Aaron As I write this, two very talented bands from Italy specializing in the jazz of the whack variety are traversing the fruited plains looking to collect fans from the USA. The trio Neo and the quartet Tribraco are criss-crossing the country from August 23 to OctoberRead More

Note: This is a slightly abridged version of the inaugural article in the long-running “Whack Jazz” series, first appearing on July 11, 2006 on a forerunner site to the Something Else! webzine. Machine Gun remains to me the gold standard for all thrash-jazz records, one that all other such albumsRead More

by S. Victor Aaron There’s been a quiet trend of the last fifteen or so years that seems to be picking up steam lately. That is, to approach jazz from the dreamy and sometimes rough textures of alt rock and electronics. There’s even a name for this: post-rock. Tortoise wasRead More

Mother Nature just staged a terrorist act on our ass! — Warren Smith, “Dyes And Lyes” About five years ago, woodwinds and flute specialist Andrew Lamb convened a recording session with his longtime musical partner Warren Smith (drums, percussion) and the bass/cello master Tom Abbs for some free form musicalRead More