Articles by: S. Victor Aaron

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Harris Eisenstadt – Canada Day III and Canada Day Octet (2012)

Toronto born, New York based drummer Harris Eisenstadt has taken the master route for learning the ins and outs of modern creative jazz music You May Also Like: Matthew Shipp + Nate Wooley – ‘What If?’ (2019) Nate Wooley – ‘Columbia Icefield’ (2019) Ivo Perelman + Nate Wooley – ‘Polarity’Read More

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One Track Mind: Kevin Coelho, "Cantaloupe Island" (2012)

Some kids are fast learners. Kevin Coelho first took piano lessons at age six. Five years later, he fell in love with the jazz organ after hearing Booker T. and the MG’s “Green Onions.” Five years after that, he has his first album at sixteen years old You May AlsoRead More

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Joe Morris/ William Parker/ Gerald Cleaver – Altitude (2012)

Not long after Joe Morris and William Parker signed up with the then-fledging AUM Fidelity record label specializing in improvised music, AUM founder Steven Joerg and Morris talked about making a trio record You May Also Like: Ivo Perelman, William Parker, Gerald Cleaver – The Art Of The Improv Trio,Read More

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Vinny Golia Sextet – Abstractions and Retrocausalities (2011)

It used to be, “West Coast jazz” meant Stan Getz, Gerry Mulligan, Shelly Manne and Chet Baker. When thinking of West Coast jazz today, my thoughts tend toward Scott Amendola, Alex Cline, Sarah Wilson, Will Bernard, Rich Halley, Jeff Gauthier You May Also Like: No related posts.

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Steely Dan Sunday, “True Companion” (1981)

> *** STEELY DAN SUNDAY INDEX *** On June 21, 1981, Steely Dan had announced they were going on an indefinite hiatus, a culmination of the headaches and tragedies that coincided with the making of Gaucho. You May Also Like: Walter Becker, “Hard Up Case (Live at Slim’s 1995)” (2024):Read More

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Ryan Meagher – Tone (2012)

Guitarist Ryan Meagher describes his music in very straightforward terms; he calls it “modern jazz for the indie rocker.” You May Also Like: Vinnie Sperrazza – Juxtaposition (2017) Vinnie Sperrazza Apocryphal – Hide Ye Idols (2017)

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S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 4 of 4: Fusion Jazz

And now for the final installment of my first-ever, mid-year assessment of what are the best records we’ve covered here on SER. This time, we survey that murky hybrid world called “fusion jazz.” You May Also Like: Jeff Lorber Fusion – ‘The Drop’ (2023)

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S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 3 of 4: Whack Jazz

If you happened to peruse the Half-Year List of Top Albums for 2012 for Modern and Mainstream Jazz before this list and you’ve been keeping up with the latest jazz releases, you might have wondered, “Where’s that new Matthew Shipp?” You May Also Like: No related posts.

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S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 2 of 4: Modern/ Mainstream Jazz

Here we are only halfway done with 2012 and it’s already been a bangin’ year for modern and mainstream jazz, whether you prefer a celebration of the tradition or an expansion of the frontiers. You May Also Like: No related posts.

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S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 1 of 4: Non-Jazz

Since 2007, I’ve had year-end lists for the albums I thought stood out over the rest, within and without jazz. If the Mayans are to be believed, there won’t be time for year-end lists for 2012 You May Also Like: Seth Walker – Gotta Get Back (2016)