Pheonyx is a singing talent that’s a good match for Ginty’s keyboard talent because both rock with a lot of soul, and the songwriting partnership is already paying off dividends. ‘Rockers’ could be the beginning of a beautiful musical relationship.
feature photo: Sal DeVincenzo, courtesy of Cuneiform Records The notion of progressive rock often suggests the melding of rock with some elements of jazz or jazz fusion, due to extended song forms and an emphasis on instrumental prowess. Thinking Plague sets You May Also Like: Guy Capecelatro III – HopeRead More
Today marks the worldwide release of ‘Blackfield V,’ the fifth installment of the Aviv Geffen/Steven Wilson collaboration – except in North America.
‘Get Dreamy’ is a little more than a curiosity for the Terje Rypdal freaks, fans of original psych-rock who hadn’t already discovered this obscure relic of its time will find much to trip over.
Sebastien Ammann and Color Wheel achieve their mission of stimulating, dynamic jazz in the span of a fairly concise four minutes. Nothing is wasted on “One.”
Using bright, open-minded up-and-coming musicians much as Miles had done throughout his career, Weiss through Point of Departure very effectively uses a forgotten, fertile slice of jazz’s past to suggest a way forward.
Now a true Steven Wilson/Aviv Geffen collaboration again, Blackfield gets its mojo back with ‘Blackfield V’.
Thus far for the drummer, composer and bandleader Vinnie Sperrazza, it’s two albums, two different approaches, same high quality level jazz. The consistent ‘Juxtaposition’ justifies keeping Sperrazza on the watch list.
Here’s an exclusive stream of “Miles From Miles” from cutting-edge hip-hop/jazz trio LiveHuman’s new album ‘Scratchbop.’
When great musicians from different bands and projects get together for the express purpose of making music without the restrictions they usually face elsewhere, it should bring out the best in all of them. That’s just what happened with the guys in Modus Factor on their inaugural effort ‘The Picasso Zone.’
