The story of Sly and the Family Stone is that of the 1960s, a decade of dizzying highs followed by a period of just as devastating lows. Their music, and the band itself, shared the similar promise of a new way — only to implode with a shocking finality. YouRead More
On the precipice of some very bad vibes — they were about to lose Nicky Hopkins then David Freiberg before going into a folk-rock abyss with Dino Valenti — Quicksilver Messenger Service put on one of its last truly great shows. You May Also Like: Adam Hopkins’ Crickets, “Grounded” (2023):Read More
The joy surrounding this blues-rock collaboration is found not just in the Rides’ meaty originals — four of the 10 tracks are new — but in the way this just-founded trio happily attacks the cover tunes. You May Also Like: Stephen Stills & Judy Collins – ‘Everybody Knows’ (2017) Yes,Read More
Detailing almost the precise moment that Ritchie Blackmore began his transition toward ren-faire rock, this 1995 Rainbow performance for Germany’s Rockpalast isn’t by any means essential — but it sure is interesting. You May Also Like: No related posts.
With a groove so sharp it cuts through the night, “Fire and Brimstone” bears no small amount of resemblance to the fonky-psychedelic rock style of Trombone Shorty’s former employer, Lenny Kravitz. You May Also Like: Trombone Shorty Raced Beyond Genres on Transcendent ‘Backatown’ Trombone Shorty – ‘Lifted’ (2022) Richard Turgeon,Read More
Mike Keneally discusses the role of instant composing and improvisation, along with his hopes for working with XTC’s Andy Partridge again.
With this new video, Elton John returns to the contemplative approach that made his early-1970s work so resonant, though “Home Again” finds him sounding older, wiser and (with a sadly nostalgic lyric) deeply aware of the time that has passed. You May Also Like: John Mellencamp’s Dark, Down-Home Life, Death,Read More
Brian Wilson gave the Beach Boys their spark, but ‘Made in California’ reminds us that there was much more to the story.
Former Wings members Denny Seiwell, Henry McCullough and Laurence Juber – a trio of figures who span either end of the 1970s-era Paul McCartney band’s lifespan – offer unique insight into his work.
After the fiery introduction made on his 2011 eponymous debut, vibraphonist Warren Wolf takes a more melodic tack with the follow up Wolfgang, and the results are as inviting as they are joy-filled. You May Also Like: Brian Blade on Wolfgang Muthspiel’s ‘Angular Blues’: Something Else! Interview Wolfgang Muthspiel, Populous,Read More
