I was chatting with Steve Lukather about his latest solo album when he said, “Look, I know what you are going to ask: If David Paich and Joseph Williams are both heavily involved with Bridges, why is this not a Toto album?”
I laughed at his remark, explaining that wasn’t my question. Bridges sounds like a Steve Lukather album to me. Many Toto members, past to present, appear but Lukather’s stamp is unmistakable.
Joseph Williams, the long-tenured Toto singer, steps into the producer chair, employing a similar plan to the last Toto album, All In. his touch is light, allowing Lukather’s arrangements to shine and highlighting his vocal strengths.
The results are evident from the opening notes of “Far From Over,” a track composed by Williams and Trev Lukather, who also adds bass, backing vocals and synthesizers while joining his father on guitar. It’s a hard-driving rock song that throws down a lyrical gauntlet: Steve Lukather still has much to contribute. Simon Phillips provides a relatively straightforward yet energetic backbeat.
“Not My Kind Of People,” another song featuring Phillips, flies along with a distorted Lukather lead guitar and solo, with a Beatles-influenced vocal arrangement. Stan Lynch, a long-time Lukather collaborator and former drummer to Tom Petty and The Heartbreakers, contributes lyrics. At the same time, David Paich, Joseph Williams and Lukather handle the song’s basic structure. The result is another stellar hard rocker, further enhanced by Leland Sklar’s bass.
“Someone,” written by Lukather, producer Joseph Williams and David Paich, has a sparse, contemporary feel. Williams provides keyboards with Paich along with percussion and background vocals, adding a very complimentary production that allows Lukather’s vocals to shine. Paich and Williams’ keyboards are restrained and atmospheric. That’s not to say the song doesn’t rock. Lukather’s bass is in the pocket and supporting, while his guitars are robust and nuanced. Drummer Shannon Forrest provided a propulsive backbeat met by a soaring Lukather solo.
“All Forevers Must End,” written by Lukather and frequent co-writer Randy Goodrum, has a straight-ahead 90’s power ballad feel. Williams handles all the electronic keyboards, backing vocals and percussion along with a tasteful backing, while Sklar’s bass is nuanced and supportive. Lukather’s vocals are emotional and powerful, and his piano touches are just what the song needs.
The album’s first single, “When I See You Again,” has driving rhythms (featuring Simon Phillips on drums), urgent vocals and slashing guitars. Combining the directness of his earlier solo work and the melodic flair of Toto, “When I See You Again” represents the work of an iconic legacy artist not willing to rest on his laurels.
“Take My Love” was written by current Toto band member Steve Maggiora with Warren Modaunt Huar, and is an effective change of pace. Maggiora adds keyboards and backing vocals with Williams. On this bluesy track, Jorgen Carlsson is on a sliding bass, while former Toto bandmate Shannon Forrest sits in on a ride cymbal-rich backing on drums. The blues-based tale is a perfect fit for a Lukather album. His blue shout, the Hammond organ touches and rich backing vocals would not be out of place on a Paul Rodgers album. Lukather then raises the bar with his impassioned solos and vocals.
“Burning Bridges,” also written with Lynch, Paich and Williams, is a bluesy falling shuffle with prominent Fender Rhodes and touches of organ and synth. Simon Phillips returns on a song that would have been a good fit on any Lukather solo album. Despite the inclusion of Paich and Willaims on keyboards and vocals, the music sounds more like Los Lobotomys than it does Mindfields.
The album closes with “I’ll Never Know,” written by Lukather and Williams. The arpeggiated guitar intro recalls that of Toto’s “Caught in the Balance,” but the song’s arrangement has a different dynamic. Lyrically, it represents an outcome of a relationship, as Lukather tells his side of the story with soaring lead guitar supported by bassist Jorgen Carlsson’s prominent runs and Shannon Forrest’s astute rim work.
After nine songs, it’s clear that Steve Lukather, with a little help from his friends, has produced one of the best solo works of his stellar career.
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