Here’s a review of Marc Cary’s next album, the eclectic/electric ‘Rhodes Ahead Vol. 2,’ a multi-ethnic fusion affair that reveals the Fender Rhodes’ possibilities.
Released March 6, 2006, David Gilmour’s ‘On An Island’ reconnected with an early Pink Floyd sound — and gave us a road map to ‘The Endless River.’
Ringo Starr has always loved reanimating his storied past in song, but rarely has he hit on such a winning combination of whimsy and memory.
These are the first hints at darker revelations to come from Bob Dylan on ‘Blood on the Tracks.’ But, because of the Band’s presence, far different.
Released on March 4, 2003, King Crimson’s turbulent ‘Power to Believe’ felt like an innocent’s view of war as it started before his very eyes.
Here is a review of Tim & Caio’s wonderful world music concoction ‘In Brazil’, and strong set of nimble, catchy tunes due out March 10.
Judas Priest’s ‘British Steel’ and ‘Screaming for Vengeance’ get the praise, but a new reissue of ‘Defenders of the Faith’ shows it’s their equal.
Presented from the start as a next-gen Janis Joplin, Beth Hart has a well-earned reputation as a whiskey barrel-busting belter. This isn’t that.
Newcomer Jerry Woods’ phrasing and inflection, mirroring moments ranging from latter-day Beatles to Todd Rundgren, are lively and commanding.
The twist in Bob Dylan’s new video adds a new complexity to a song that used to only be about two lovers’ theoretical last evening together.