Yes, “Final Eyes” from Big Generator (1987): YESterdays
At almost six and a half minutes, Yes’ “Final Eyes” seems to have more credibility among fans than the ‘Big Generator’-era two hits.
At almost six and a half minutes, Yes’ “Final Eyes” seems to have more credibility among fans than the ‘Big Generator’-era two hits.
Preston Frazier looks back at the best concerts of 2017, including tours by Steely Dan, Lindsey Buckingham and Christine McVie, King Crimson and others.
Despite its lyrically dippiness, “Love Will Find a Way” gave Yes exactly what they wanted: A hit song.
When you add together all the disparate parts of “Almost Like Love,” you almost get a good Yes song … but not quite.

Billy Sherwood joined Preston Frazier to discuss Yes’ 50th anniversary plans, a new-look live album, and continuing work on a Chris Squire tribute project.
Each time I listen again to Yes’ ‘Big Generator,’ I’m struck afresh by its poise and expansiveness. “Shoot High Aim Low” is a perfect example.
“Big Generator,” the title track from Yes’ 12th studio album, seems desperate in its need to sound modern.
“Rhythm of Love” provides a rabble-rousing opening to 1987’s ‘Big Generator,’ but I’m not sure it’s really Yes.
What a way to end Yes’ ‘90125,’ the biggest album from the world’s greatest progressive rock band.
More than any other on Yes’ 1983 platinum-smash ‘90125,’ “City of Love” is a Trevor Rabin song.