Steve Winwood returned with great songs, and an old friend, on Nine Lives
It’s always refreshing to see a long-established rock star simply follow his muse. Ten years ago, Steve Winwood did just that with ‘Nine Lives.’
It’s always refreshing to see a long-established rock star simply follow his muse. Ten years ago, Steve Winwood did just that with ‘Nine Lives.’
Returning to Mudcrutch a decade ago, Tom Petty put his notorious studio perfectionism aside to recapture the feel of a hungry American rock band.
Kiss’ ‘Rock and Roll Over’ appeared only months after ‘Destroyer.’ History shows, however, that the best rock music thrives on spontaneity.

‘Seventh Son of a Seventh Son,’ released 30 years ago this week, started a journey. Iron Maiden is now a part of me, and I am a part of what’s kept them around.
Mike Tiano calls out ‘Weekly Standard’ columnist Ike Brannon for a misleading piece on Yes, the Replacements and the Rock and Roll Hall of Fame.

Despite garnering great commercial rewards, Tommy James and the Shondells harbored a desire for more expressive modes of experimentation.

Created as a parody of late ’60s sounds, ‘Present the Battle of the Bands’ highlighted the Turtles’ fun factor.

‘Spitting Feathers’ feels like part of a journey for Radiohead frontman Thom Yorke, but not one which is complete.
The Beatles’ darkly experimental “Long, Long, Long” foreshadows a frequent trope in George Harrison’s solo work: comparing spiritual and romantic love.
When Lindsey Buckingham’s terrific ‘Live at Bass Performance Hall’ arrived 10 years ago on March 25, 2008, I realized that I had forgotten some of the minor hits.