‘Mantis’ will be the first Umphrey’s McGee album of all-new material, never before performed live.

NICK DERISO: “The Ultimate Session” might not completely live up to the billing. Forgive us, however, if we cherish its sense of hip-shaking fun, anyway. Assembled are a who’s-who group of New Orleans musicians who played nearly five decades before with the likes of Little Richard, Fats Domino and ProfessorRead More

Pink Floyd‘s A Momentary Lapse of Reason, alas, was no Dark Side of the Moon. Criticized then as now for being transitional and samey, though, it was far from the worst thing foisted on unsuspecting fans during the 1980s. You May Also Like: The Song That Made Pink Floyd’s ‘MomentaryRead More

What better way to spend Halloween than with (as it’s lovingly referred to in the liner notes) “this thing“? “The Torture Never Stops” — a 24-song, two-hour blast of almost indescribably brilliant/crazy rock from an Oct. 31, 1981 concert by the equally brilliant/crazy Frank Zappa — affords us a uniqueRead More

You’re to be forgiven — even if you were there — for missing this one. Seems, because of lengthy set overruns by the bands that preceded them, the Who didn’t take the stage at the 1970 Isle of Wight Festival until the no-kidding hour of 3 a.m. (The bill thatRead More

Missing in the eternal argument embodied in their 1970s lyric — Which one’s Pink? — was my idea that it was neither Roger Waters nor David Gilmour. Maybe there would have been no Pink Floyd, not really, without Richard Wright. That’s what I hear in “Live at Gdansk” with GilmourRead More

NICK DERISO: You would call Johnny J.’s stuff rockabilly, but that’s too small of a space. He’s got some blues in one corner, some echoey 1950s-era balladry in another. Carl Perkins, Fats Domino and Buddy Holly are party guests. This is the point where blues, jazz, country and rhythm musicRead More

The title of this Chicago song, named after a Greek character who eternally pushes a rock up hill only to have it roll back down, is sadly ironic.

NICK DERISO: I must admit, even now, an abiding love for the inner-ear damage that “Purrrr,” this long-forgotten hard-pop release, offers. But there’s more to it: Hollyfaith’s debut on Epic is, in some ways, perfectly done guitar-focused music, raunchily loud but then welcomely tender — and, in no small way,Read More

Extended improv sections of songs oftentimes turn into what Umphrey’s McGee calls a “Jimmy Stewart.” So what exactly is a “Jimmy Stewart?”