by Tom Johnson I like to think of Isis as the band that Tool wishes it could be. Call me jaded, but by this time, Tool had become entangled in plots created to baffle and obfuscate rather than intrigue and draw listeners in, being what they think is clever butRead More

I wrote a Friday Morning Listen that was a mashup of Joe Jackson, Bruce, Clarence, and Fellini. I was nervous about a bunch of things that day, not the least of which was the health of Clarence. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and theRead More

There are moments when bands turn a corner, where everything becomes a bit more tightened up, stronger, more prominent. Transatlanticism was that album for Death Cab For Cutie. You May Also Like: Death Cab for Cutie, “Summer Skin” from ‘Plans’ (2005): One Track Mind

It’s something we’ve visited before, but many Steely Dan songs touch on topics from Becker and Fagen’s youth in the 1960s (see “Boston Rag”, “My Old School”). Donald Fagen would later explicitly make an entire album recounting his aspirations and hopes from the late 1950s and early ’60s; I thinkRead More

There’s no denying, if you dig into the stacks, the Who’s shuddering energy – equal parts speed, raw fury and rangy emotion.

by Tom Johnson This album wasn’t initially as well received as I think it should’ve been. It wasn’t the masterpiece I was hoping for, but it was a step up from the wildly uneven 13. With the exit of guitarist/fellow-mastermind Graham Coxon, Damon Albarn pretty much had complete artistic controlRead More

Pink Floyd’s 1967 debut ‘Piper at the Gates of Dawn’ is, quite simply, the greatest psychedelic album ever. Don’t bother writing, ‘Sgt. Pepper’ fans.

If I have anything to say about technology in this space, it’s usually negative. People who know me are aware of the contradiction: I’ve made my living writing software and spend a lot of time on the Internet, and yet consider myself something of a Luddite. You May Also Like:Read More

by Fred Phillips When Johnny Cash came to work with Rick Rubin in the 1990s, American Records had another man in black already on the roster — Glenn Danzig. You May Also Like: Bob Seger and the Silver Bullet Band, “Boomtown Blues” from The Distance (1982): One Track Mind

When ZZ Top, tearing through “Waiting for the Bus,” howls “have mercy!” in tandem, I’m right there with them. You May Also Like: ZZ Top’s “El Diablo,” “Thunderbird,” “Rough Boy” + Others: Gimme Five