If Living Colour’s “Come On” is representative of the whole project, ‘Shade’ is going to be well worth the wait.

I don’t particularly like 1973’s ‘Chicago VI.’ There, I said it. Still, “Feelin’ Stronger Every Day” makes for an uplifting end.

An unlikely yet enduring deep cut, “Hold On” finds Yes at the height of its stadium-rock power.

‘Over the Covers’ showcases the Brownout I always love with a new sense of urgency and maturity.

Fabian Almazan’s ‘Alcanza’ is stirring, complex, emotional and musically honest.

“Owner of a Lonely Heart” wasn’t great progressive rock but, without this track, it’s doubtful the band Yes would still be here today.

Ex-Toto singer Bobby Kimball joins Preston Frazier to discuss his powerful new solo album ‘We’re Not in Kansas Anymore.’

Greg Phillinganes and Burt Bacharach are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

Yes should have made “Tempus Fugit,” a gem among gems, the focus track on 1980’s ‘Drama.’

Toto’s ‘The Seventh One’ boasted a layered sonic sheen eclipsing anything else in 1988 – and no where is that more evident than “You Got Me.”