A straight-ahead jazz quartet with instrumentation as atypical as their sensibilities, the Reese Project’s Evening in Vermont is perhaps best summed up in the track “All Wood,” a nifty combination of Miles Davis’ “All Blues” and the Beatles “Norwegian Wood.” That it’s performed on flute (Tom Reese), cello (Laurie HainesRead More

Even as Thomas Dolby got set to release A Map of the Floating City, his first album of new music in almost 20 years, his sound somehow remained both associated with the MTV era, and almost completely unbound by it. “If you’re right,” Dolby tells us, “it’s because everything isRead More

Forever associated with “She Blinded Me With Science,” Thomas Dolby quickly moved well outside of that MTV-era hit’s new wave experimentation. You May Also Like: Jeff Babko: The Albums That Shaped My Career

A tune that couldn’t be further away from the dark organ-based groove of his band, “The Car Won’t Stop” finds Deep Purple’s Roger Glover indulging in a childhood passion for skiffle. You May Also Like: No related posts.

Apparently performing on his addictively watchable web show ‘Live From Daryl’s House’ has had an impact on Daryl Hall.

Trombone Shorty once again incorporates all of the fun but none of the fussy formalism of the New Orleans tradition on ‘For True.’

Saxophonist and composer Jeff Coffin, a three-time Grammy winner, traverses a fine line on Live!, a record that feels both timeless and fresh. The beauty is that he and his Mu’Tet don’t stumble into the pitfalls of either concept. You May Also Like: Ivo Perelman, Matthew Shipp + Jeff CosgroveRead More

Though they often play with a familiar steely aggression, the Red Hot Chili Peppers seem nevertheless to be rounding the corner into middle age. I’m With You, the band’s first project since the 2006 double-album Stadium Arcadium, is often focused on departures You May Also Like: When John Frusciante ReturnedRead More

Issued in the wake of the devastating attacks on New York City in 2001, Bruce Springteen’s “You’re Missing” nearly overwhelmed me with grief.

I came in expecting blues grit, something kind of dangerous — after all, New Orleans singer Olga Wilhelmine Munding has been doing that for a while. You May Also Like: Why Bruce Dickinson’s ‘Tattooed Millionaire’ Keeps Revealing New Layers Little Freddie King – ‘Fried Rice & Chicken’ (2018)