‘Chicago 17,’ released on May 14, 1984, was a multi-million-selling smash. And Danny Seraphine and Bill Champlin aren’t about to apologize for it.

Preston Frazier talks to Australian progger Ben Craven about his well-regarded career, his next album and his intriguing new music delivery system.

Inserting Toshimaru Nakamura into the mix doesn’t transform Many Arms, it amplifies their punk ethos/free jazz spirit instead.

Released on May 13, 1985, Dire Straits’ ‘Brothers in Arms’ likely surprises return visitors with its depth of intellect and emotion.

These are the same horizons where Jeff Beck once roamed with the Yardbirds, amped up for a new generation.

The magic, and the mystery, of ‘In the Beginning’ is in hearing a frisky young Wes Montgomery start his journey toward greatness.

Micky Dolenz says some people never accepted the latter-day Monkees as a creative force – until Mike Nesmith came up with a creative idea.

“Sweetness,” which became Yes’ debut single in 1969, shows a fledgling band that hasn’t quite become more than the sum of its parts.

J.D. Souther has never written more connective lyrics, never sung them better – and both, it seems, were sparked by an ageless new setting.

Mavis Staples says her appearance as a guest on the the Band’s ‘Last Waltz’ film forever reshaped not just her life but her setlist.