Elton John’s ambitious Goodbye Yellow Brick Road was as over the top as its singer
‘Goodbye Yellow Brick Road,’ released on Oct. 5, 1973, illustrates why – and how – Elton John became Elton John.
‘Goodbye Yellow Brick Road,’ released on Oct. 5, 1973, illustrates why – and how – Elton John became Elton John.

Noah Preminger’s own story is increasingly that about a tenor saxophonist of unquestioned talent with passion and an appetite for risk taking. All of those things are on display on ‘Pivot: Live at the 55 Bar’.

An expanded reissue of GTR’s self-titled 1986 debut finds Steve Hackett and Steve Howe making the surprising choice to take on a Yes classic.
Let’s look past the easy Fab Four comparisons with Electric Light Orchestra’s “Mr. Blue Sky,” released Oct. 3, 1977 as part of ‘Out of the Blue.’
‘Talk Is Cheap,’ released by the Rolling Stones’ Keith Richards on Oct. 3, 1988, was an island of rock and roll grit in a sea of shallow glitter.
Guitarist Andy Summers joins us to discuss the Police’s breakthrough album ‘Reggatta de Blanc,’ released on Oct. 2, 1979.
Released on Oct. 3, 1983 as part of their self-titled album, this represents one of the last rickety bridges between Genesis’ two eras.

Every song from Taj Mahal’s ‘Maestro,’ released on Sept. 30, 2008, was a change up. He’s a Swiss Army knife of the blues.

Does ‘Repentless’ match Slayer’s classics? Not really. But it’s probably the best complete album they’ve done in decades and, for me, that’ll do.
‘Back on the Streets,’ released on Sept. 30, 1978, underscores why Phil Lynott asked Gary Moore to join Thin Lizzy.