The Beatles, “For No One” from ‘Revolver’ (1966): Deep Beatles
“Why Did It Die?” The Beatles did not write and record a song with that title — right? In truth, they did.
“Why Did It Die?” The Beatles did not write and record a song with that title — right? In truth, they did.

I didn’t get decked, and I did ask Glen Campbell to sign my album.

Was the performance at the YEStival in Baltimore epic? The answer is Yes!
“Leave It,” the second single from 1983’s ‘90125,’ ranks as one of Yes’ most oddball tracks. But what a glorious oddball it is!

‘Fountain Of Youth’ has the energy and enthusiasm of someone striving to make his mark, but with the discernment of the accomplished veteran that Weiskopf is.

There’s a sense of more development and intrigue to come as Gareth Lockrane’s ‘Fistfight at the Barndance’ mixes musical atmospheres and essences.

Often compared to psychedelic post-rock outfits like Broadcast and Oneida, Chicago’s own Crown Larks can be thought of as jazz’s answer to Ghost of a Saber Tooth Tiger, or indie rock’s answer to Ornette Coleman’s Prime Time, depending on You May Also Like: Plucky Strum [Sheryl Bailey & Harvie S]Read More
Part of the appeal of Chicago’s “Lifesaver” is that it’s fun – a stark contrast to the pretentious seriousness of 1973’s ‘Chicago VI.’
Toto’s “Only the Children,” written by David Paich and Joseph Williams, is another testament to a composing partnership that was prematurely cut short.

Michael McDonald’s “Find It In Your Heart” fits comfortably in his canon of strong love songs, and is a welcome return of the master.