When John Frusciante Returned to Solo Work on ‘Shadows Collide With People’
John Frusciante released a solo album 15 years ago this week that wasn’t as hot as the Red Hot Chili Peppers, nor as funky – but more distinctive than you might expect.
John Frusciante released a solo album 15 years ago this week that wasn’t as hot as the Red Hot Chili Peppers, nor as funky – but more distinctive than you might expect.

The supremely creative ‘Sun of Goldfinger’ is unlike anything else out there – apart from other David Torn records.
“Aloha Mama,” from the broadly disappointing ‘Chicago 13,’ is a fantastic song – until Peter Cetera starts singing.
The Oscars have tragically lost their way. Mike Tiano offers a few ideas on fixing them.

The Garden District Trio’s ‘Upward’ emphasizes the currently in-vogue NOLA beat – and, with this trio, it’s expertly delivered.
10 years ago this week, Joe Bonamassa discovered the perfect balance between his penchant for blues covers and ’70s-style hard rock.

The deep soul of ’60s organ jazz is at the heart of Nick Hempton’s latest venture.
Recorded in a period when Toto were in between lead vocalists, “Modern Eyes” finds the band totally chilled out.

Chris Greene offers an unexpected post-Valentine’s Day treat in the form of a live recording from the Evanston, Illinois venue Space.
There’s a reason why the song Chicago wrote for Sylvester Stallone’s 1978 film ‘Paradise Alley’ was left on the cutting-room floor.