Going from unknown two years ago to co-leading a duet record with Matthew Shipp is a meteoric rise in the avant jazz world, much less any world, but that’s just what alto saxophonist has accomplished in this short time frame. You May Also Like: Matthew Shipp – Zero (2018) MatthewRead More

Paul Simon’s new record, his first since 2006’s dense Brian Eno-collaboration Surprise, is a career-spanning, sometimes duskily ruminative, quirk-splashed triumph — simultaneously bold in its constructions and timeless in its themes. You May Also Like: How ‘Paul Simon’ Set the Template for a Career of Dizzying Musical Exploration

As I type this review, I’m listening to not necessarily All Wrapped Up, the new record by organist Jared Gold, but also Unity by Larry Young. I know, it doesn’t make sense, since it’s Gold’s record being reviewed here, not Young’s. But something struck me about All Wrapped Up whenRead More

Karl Grambo and the Roadhouse Redeemers have a rollicking, greasy good time on Bedrooms, Bars and Bibles. The only complaint is that the party, which clocks in at just eight songs, ends so quickly. Grambo opens with “I Was There,” featuring this grinding, grumpy riff and a gravelly, insistent voiceRead More

It’s been a weird week, one saved by a few completely unrelated events. Saved from what? Let’s call it a dark mood You May Also Like: No related posts.

A young guy who hails from a small town north of London armed with photo-friendly mop top looks, an acoustic guitar and a soulful voice, Lee MacDougall might be the next in a wave of male British singer-songwriter sensations You May Also Like: Lucas Lee – ‘Lowered Expectations’ (2018)

Rhys Chatham: The Man With The Horns. Many, many horns. It might be only the third Stacks so far this year, but it’s a much overdue one. There’s a whopping seven 2011 releases discussed here You May Also Like: Rhys Chatham – Pythagorean Dream (2016) Michel Petrucciani, with Gary PeacockRead More

Orrin Evans arrived amidst a wave of new jazz performers in the early 1990s. Unlike many of those young lions, however, he managed to bob up from that era’s ultimately empty retro-conservatism. You May Also Like: Johannes Wallmann, jazz pianist and bandleader: Something Else! Interview Bill Evans – Time Remembered,Read More

Drew Paralic is that most unusual of things, a jazz pianist and composer who has released an album of originals played by others. Having taken up the instrument too late, he says, to approach the mastery of deeply appreciated influences like Bill Evans and Thelonious Monk, Paralic instead decided toRead More

There is a magic in the old songs, but not necessarily in performing them in the old ways. You May Also Like: Yves Leveille – ‘L’echelle du Temps’ (2022) ElectroBluesSociety Featuring Boo Boo Davis – ‘Chicago Blues Covers’ EP (2020)