It’s unclear whether Roger Waters’ pending remake of the Pink Floyd classic ‘Dark Side of the Moon’ will once again sync up with ‘The Wizard of Oz.’

David Byrne’s suit became a defining image from the Talking Heads’ ‘Stop Making Sense’ – and a key element in the clip announcing the film’s new re-release.

‘Long Story Short: Willie Nelson 90’ was well-meaning, heartfelt, and often well-performed – but a few intangibles were lacking.

The second of Park Chan-Wook’s Vengeance Trilogy, ‘Oldboy’ combines beauty and perversion, horror and grace with unprecedented virtuosity.

Ivo Perelman’s one-on-one improvisations with 12 distinct reedists ‘Reed Rapture In Brooklyn’ is the story of an ambitious project told through a box set of recordings now being told through a full-length documentary.

American mainstream cinema rarely strays into the Other Side’s territory – never mind American remakes of cult classics. That’s where Zack Snyder comes in.

Tomas Alfredson’s ‘Let the Right One In’ reimagines a modern vampire fable with great acting, endearing characters, and a contrapuntally hopeful score.

Lovers of the dark, fans of industrial and all cyberpunks take note: Shinya Tsukamoto’s ‘Tetsuo: The Iron Man’ is movie heaven.

The guy who directed ‘Ghost’ somehow created an intricate, haunting puzzle. ‘Jacob’s Ladder’ is simply immune to the exhaustion of repeated viewing.

Director Ken Russell’s deliciously over-the-top movie follows a scientist’s increasingly precarious and otherworldly investigations into altered states.