May the Seattle Cinerama rest in peace. Long live the SIFF Cinema Downtown.

I have been struck by how long the accolades have continued after the passing of Norman Lear. It made me realize that I have a story, too.

Micky Dolenz says there was a fundamental change in the way movies were made after the Monkees’ ‘Head’ arrived 55 years ago this week. 

It’s unclear whether Roger Waters’ pending remake of the Pink Floyd classic ‘Dark Side of the Moon’ will once again sync up with ‘The Wizard of Oz.’

David Byrne’s suit became a defining image from the Talking Heads’ ‘Stop Making Sense’ – and a key element in the clip announcing the film’s new re-release.

‘Long Story Short: Willie Nelson 90’ was well-meaning, heartfelt, and often well-performed – but a few intangibles were lacking.

The second of Park Chan-Wook’s Vengeance Trilogy, ‘Oldboy’ combines beauty and perversion, horror and grace with unprecedented virtuosity.

Ivo Perelman’s one-on-one improvisations with 12 distinct reedists ‘Reed Rapture In Brooklyn’ is the story of an ambitious project told through a box set of recordings now being told through a full-length documentary.

American mainstream cinema rarely strays into the Other Side’s territory – never mind American remakes of cult classics. That’s where Zack Snyder comes in.

Tomas Alfredson’s ‘Let the Right One In’ reimagines a modern vampire fable with great acting, endearing characters, and a contrapuntally hopeful score.