Patricia Brennan – ‘Breaking Stretch’ (2024)
With ‘Breaking Stretch,’ Patricia Brennan continues to build upon her uniquely inventive style of jazz simply by building up her ensemble.
With ‘Breaking Stretch,’ Patricia Brennan continues to build upon her uniquely inventive style of jazz simply by building up her ensemble.
With ‘Zealous Angles,’ Matt Mitchell blows a gaping hole into the notion that the piano/bass/drums construct in jazz has been played out.
Catherine Russell takes a stripped-down approach on ‘My Ideal,’ adding nuance and style to pop and jazz standards while relying solely on Sean Mason’s piano.
Recorded live to a Tascam 388 analog machine, the organ-driven Parlor Greens’ ‘In Green / We Dream’ emerges as a near-perfect debut.
Pat Metheny’s creative use of the baritone guitar makes ‘MoonDial’ so meaningful and softly gratifying
Jazz pianist and composer Luther Allison makes his first splash as a leader with his introductory, Memphis Mafia-inspired album ‘I Owe It All to You.’
Nothing brings out the true character of virtuosic musicians Aruán Ortiz and Ramón López like the ‘Ephemeral Shapes’ improvisation sessions with Ivo Perelman.
Joan Torres’s All Is Fused may be known as a fusion jazz band but on ‘Embrace Form,’ their improvisational skills come to the fore.
In many ways, Phillip Golub’s astounding debut ‘Abiding Memory’ evokes the budding genius of early Vijay Iyer.
As an advanced bassist and composer, Kim Cass with his star colleagues meet his challenges head-on, making ‘Levs’ such a breathtaking ride.