Considering how adored the Squires are by garage rock aficionados, it’s surprising this sole collection of the Bristol, Connecticut band’s work is only available on vinyl. And what’s even more frustrating is Going All The Way With The Squires! (Crypt Records) is long out of print. But that shouldn’t stopRead More

Chad Wackerman launched a solo career as a respected jazz-fusion and rock musician after a memorable stint with Frank Zappa.

Seattle-based Tim Carey is a multi-instrumentalist, music educator, composer and member of the zany sextet Reptet, a delightful outlaw jazz troupe I stumbled upon a few years back You May Also Like: Steely Dan, “Carey” (circa 2001): Steely Dan Sunday Matt Nelson, Tim Dahl, Nick Podgurski – GRID (2017)

After being less than impressed with Slash’s last solo album and its parade of guest stars, and being only a marginal fan of Velvet Revolver or Slash’s Snakepit, I didn’t go into Apocalyptic Love with my hopes too high. You May Also Like: No related posts.

The cover for Ralph Bowen’s newest release Total Eclipse is a picture of a “ring of fire” solar eclipse, much like the one that provided a spectacular show for residents of the U.S. Southwest on Monday. Putting on a saxophone show is what Ralph is about, though, and for theRead More

The brilliant pianist from Cuba Aruán Ortiz made a strong positive impression to anyone who paid attention to his 2010 release Alameda, a sophisticated outing of modern jazz that eludes adequate comparisons. You May Also Like: Aruan Ortiz, with Andrew Cyrille + Mauricio Herrera – ‘Inside Rhythmic Falls’ (2020) JamesRead More

Ric Harris put his career as a jazz guitarist on hold to raise his kids and deal with a life long seizure disorder, so he can be excused to taken so long to make his first album, but he made the most of that long-delayed moment. Coming back to thisRead More

It’s hard to believe it’s been 20 years since this snarling beast first roared out of my speakers. You May Also Like: Pantera – ‘Power Metal’ (1988): Forgotten Series

P.J. Pacifico’s voice, like a honeysuckle breeze, is inviting, deeply pastoral, almost hypnotizing. Not for nothing, it seems, do two of the first three songs here focus so completely on “home.” You May Also Like: No related posts.

Garbage shows it can still swirl alt-rock, post-pop and electro-dance beats in a highball glass of lip-busting attitude on this, their first album in seven years. The difference here is the band’s newfound sense of angsty consequence. You May Also Like: Why R.E.M.’s ‘Part Lies, Part Heart, Part Truth, PartRead More