To call this the most successful melding of New Orleans-style rag with hard Chicago blues presupposes that there ever was one before. Eurreal “Little Brother” Montgomery, as was his way, tills up new earth here, and with remarkable results. A stride pianist of great wit and power, Montgomery had theRead More

Started as another in rock star Eric Clapton’s celebrated CPR efforts for the careers of the blues legends he loved most, this one was almost lost to the Atlantic vaults. In the end, four different producers worked this thing at two different studios. Sessions were held in 1970, then againRead More

George Harrison remains the Beatles’ great unresolved mystery — the guy who might have actually done more had he been in any another band after 1965. Or not. His solo records are a frustrating mix of the sublime, the blatant and the unremarkable. Sometimes within a three-song sweep. Sometimes withinRead More

Decades before it became a catchy rallying cry for an historic presidential campaign, “Yes We Can” was associated with an inspired message of another kind: the essence of New Orleans-styled funk. Crescent City all-world songwriter and producer Allen Toussaint has done more in his behind-the-scenes role to shape New OrleansRead More

by S. Victor Aaron Wednesday night I noticed a tickle in my throat; it was sudden, unwelcome cascade of post-nasal drip. “I am not getting sick” I told myself and went to bed successfully ignoring this minor distraction. Thursday night the symptom was still persisting, but I felt fine. AsRead More

The Preservation Hall Jazz Band, perhaps the very face of New Orleans music, shoulders a heavy burden on “The Hurricane Sessions” in trying to convey the sweeping emotions surrounding Katrina. So much happened away from those familiar wooden benches at 726 St. Peter St. in the dusty room known asRead More

by S. Victor Aaron On prior columns I’ve made no bones about my affinity for early Chicago songs. Danny Seraphine’s comeback album is a triumph because the band’s founding drummer brought back the spirit of his old band. And singer/keyboardist/songwriter Robert Lamm’s openness for melding complex jazz with straightforward bluesRead More

by S. Victor Aaron Les Dudek is one of those guitarists you may have never heard of but you’ve certainly heard him. He was the harmony guitar part on The Allman Brothers’ first major hit “Ramblin’ Man.” He added slide and dobro to Steve Miller’s dual classics Fly Like AnRead More

Richard Thompson seems to put out a live album every year and being a sucker for his clever songwriting and maximal guitar playing, I usually lap it up all the same. The former founding member of that seminal British folk-rock group Fairport Convention, Thompson has not only been a partRead More

by S. Victor Aaron It’s been hard to get my head out of the jazz idiom lately. That hadn’t limited the variety in my listening that much, since “jazz” covers so much musical ground. For this go-around of Quickies, the first two selections aren’t all that dissimilar but then theRead More