Asked by The Examiner’s Justin Tedaldi to select a group that ought to be in the Rock and Roll Hall of Fame, Ann Wilson quickly named Rush — though it was harder for her to determine just why her band Heart hasn’t been so honored, either. You May Also Like:Read More

Make fun of the “Saturday Night Fever” all you want, but our group won’t be leaving for their doomed trek without this oft-dissed soundtrack. You May Also Like: Bob Dylan’s Elvis Movie: ‘Hearts of Fire’ (1986) Love It or Hate It, the Beatles’ ‘Magical Mystery Tour’ Film Always Intrigues ‘BecomingRead More

The craftiest revivalists of that early ’70s, soft, soulful LA rock sound are a couple of guys from the UK, virtually unknown stateside. But The Beauty Room, as they’re called, deserves wider notice on these and other shores. You May Also Like: Harriet Tubman – ‘The Terror End of Beauty’Read More

It’s hard to believe 25 years have passed since Michael Jackson released Bad, the much-anticipated followup to his megahit Thriller. While it didn’t match Thriller’s record-setting sales, it sold 30 to 45 million copies worldwide and spawned five No. 1 singles. You May Also Like: Michael Gregory Jackson – ‘ElectricRead More

Returning with another batch of tastefully shimmering, open and revealing pop, Haley Dreis doesn’t swerve from the ready-made template of her recent recordings on Lady with a Rocket, so much as tinker around the edges. You May Also Like: Thrift Store Halo – ‘Pop-Rocket’ (2017): On Second Thought

Saxophonist, flautist and composer Tia Fuller has stated that “the Beyoncé gig has helped me to really appreciate the artistry and freedom that we have in jazz,” a conclusion borne out of five years performing in the pop diva’s band. You May Also Like: Tom Tallitsch – Gratitude (2016)

Announcing a genre as “dead” is as old as music itself. Jazz is dead, rock is dead, pop is dead, rap is dead, country music is possibly dead or should be, metal is dead, classical music is dead or at least most of the guys writing it are dead, soulRead More

Unlike most of the rest of Nebraska, here there is no ominous subtext, no angst, no life about to be split apart. Instead, it’s just a guy rocketing down the highway toward his girl You May Also Like: No related posts.

Formed in 1968, Rush began working with its current lineup in 1974 when drummer and lyricist Neil Peart joined — sparking a Rock and Roll Hall of Fame-worthy run of successes through this year’s Clockwork Angels. You May Also Like: How the Holocaust Shaped One of Rock’s Signature Bands HowRead More

Hall and Oates, the story goes, started out as this folksy doo-wop inspired duo. Then, the 1980s happened. Synthesizers, videos and a plasticine production style changed everything, right? Not so, says John Oates. You May Also Like: Why ‘Abandoned Luncheonette’ Is Still the Best Hall and Oates Album