For bassist Wolfgang Van Halen, who started his music career playing in sold-out arenas with his father’s band, joining Tremonti was a learning experience. He went back to smaller venues, reversing the trajectory of most rock stars. You May Also Like: Why Complaints About Van Halen’s ‘A Different Kind ofRead More

This is the Almost Hit from Midnight Oil’s Diesel and Dust, which is primarily remembered for the Top 20 smash “Beds Are Burning,” but in many ways “The Dead Heart” always felt like the better song to me. You May Also Like: Stephanie Angelini and Vince Tomas, “Midnight Blue” (2020):Read More

Though Jacques Levy ultimately ended up writing six songs with Bob Dylan, the songwriter and director said their initial meeting was marked by no small amount of trepidation. You May Also Like: Part of Neil Young’s Creative Process Was Ignoring Bob Dylan

The mid-1990s were a great time to be a Steely Dan fan. We were first treated to Donald Fagen’s long-awaited follow-up to The Nightfly, and while that album fell well short of the classic first one, it was the first significant output from either You May Also Like: Walter Becker,Read More

Lorenzo Feliciati more often than not finds himself making collaborative kind of music instead of solo projects. A virtuoso at both electric and acoustic bass, Feliciati needs no help, but recognizes that sometimes, getting together with other creative musicians results in an especially creative outcome. You May Also Like: ColinRead More

Time has been kind to Ray Wilson, who had the misfortune of replacing Phil Collins in Genesis for its final studio album. Calling All Stations, if not undergoing a complete critical reevaluation, is at least becoming better understood. You May Also Like: No related posts.

Copping a cue from the Beatles, the Byrds and the Vejtables, the Whatt Four figured it would be quite hip to misspell their name. Yes, that was the thing to do back then, and such a practice continued on You May Also Like: Mudcrutch’s belated self-titled debut brought Tom PettyRead More

From its band name –– which sounds like a something off the front porch of a shotgun shack — to its muscular, harp-driven opening track, you’d be forgiven for assuming Gator and Mudcat’s Back in the Game was just another blues-rocking project. You May Also Like: Dan Markell, “Carnival Game”Read More

Deep Purple purposely kept its new music under wraps, in order to create more buzz around the forthcoming album Now What?! But even when they start playing original tracks like “Hell to Pay,” they’ll sprinkle them throughout a set of established hits. You May Also Like: No related posts.

It’s difficult, as this plays, to believe that The Beautiful Old focuses on sheet-music favorites from before the advent of electricity. These 19 gusts of folk-tinged turn-of-the-century Americana still hold boundless insights. You May Also Like: Linda and Richard Thompson, “The Great Valerio” (1974): One Track Mind