Tim Kuhl’s new single “The Neon Design” begins tamely and ends a little ferociously.

Billy Sherwood joined Preston Frazier to discuss Yes’ 50th anniversary plans, a new-look live album, and continuing work on a Chris Squire tribute project.

Chicago’s “Wake Up Sunshine” possesses a sound and subject matter as bright and shiny as its title implies.

Each time I listen again to Yes’ ‘Big Generator,’ I’m struck afresh by its poise and expansiveness. “Shoot High Aim Low” is a perfect example.

Here are a few super-powered considerations to explore before cutting eye holes in the spare bed sheets this Halloween.

Jason Stein’s ‘Lucille!’ is another fun-filled jazz history lesson on the connection between Charlie Parker and Ornette Coleman.

Chicago’s Robert Lamm didn’t write straight love songs often, but he did with “Never Been In Love Before.’ It’s a satisfying, if not memorable, listen.

On ‘Live In Baltimore,’ drummer Jeff Cosgrove doesn’t disrupt Ivo Perelman’s and Matthew Shipp’s simpatico; he enhances it.

‘MTV Unplugged: Summer Solstice’ features a beautifully reworked version of A-ha’s breakout hit “Take on Me,” but there’s much more to recommend here.

DuBois’s desire to blur the lines between creative jazz, chamber music and folk forms is a quest others before him have taken on, but the challenge of putting it all together both coherently and provocatively is where many have fallen short. Not so with ‘Autumn Wind,’ it excels at that.