Jess Gillam – ‘Time’ (2020)
‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.
‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.
Norah Jones’ continuous search for new sounds and new collaborators has resulted in a varied career that seems to satisfy her enormous talents.
John R. Smith of Nu Shooz joins Ross Boissoneau to discuss key records by John Coltrane, the Toshiki Akiyoshi-Lew Tabakin Big Band, and Stevie Wonder.
Rather than harkening back to their salad days of the ’70s, Yes’ retro-sounding “Step Beyond” has too much of an ’80s pop feel.
Released 10 years ago today, the textured ‘Le Noise’ landed somewhere between Neil Young’s acoustic work and his more muscular full-band rock music.
Greg Granger caught up with Refuge, a celebrated new rock band of multinational youths living in Nairobi, Kenya.
“If It Were You” is a flawless song, yet Chicago left it as an deep cut on 1991’s ‘Twenty 1,’ releasing dull, lifeless ballads as singles instead.
Matthew Shipp and Rob Brown’s ‘Then Now’ finds two fiercely individual artists blending into a creative whole without compromising their identities.
Anti-Mortem’s “Old Washita” and “STFU” have given me more joy lately than is probably sane and healthy for an adult.
Kenneth Womack’s ‘John Lennon 80’ paints a realistic, balanced picture of his final era’s setbacks, victories and, sadly, unfulfilled dreams.