Chicago, “Cry For the Lost” from “Stone of Sisyphus’ (2008): Saturdays in the Park
“Cry For the Lost” leaves listeners wondering why Chicago didn’t lean more heavily on Bill Champlin’s bonafide songwriting chops.
“Cry For the Lost” leaves listeners wondering why Chicago didn’t lean more heavily on Bill Champlin’s bonafide songwriting chops.
“See a Better Day” is a funky new blues original by Boo Boo Davis and the ElectroBluesSociety.
“Boot Money” appears on the late Tony Joe White’s upcoming Dan Auerbach-produced album ‘Smoke From the Chimney.’
Taylor Eigsti joins Ross Boissoneau to discuss career-shaping albums by John Coltrane, Bjork and Brad Mehldau
Does rock ‘n’ roll have any significance in today’s pop culture? Let’s dig into new albums by AC/DC, Tom Petty, Neil Young and others to find out.
Carl Weingarten’s long embrace of technology has paid off handsomely in the making of ‘Ember Days,’ an album with his signature pristine sound and the perfect, stress-relieving, soul-satisfying elixir for these trying times.
After concluding a song-by-song analysis of Yes, let’s delve into favorite albums by the worlds greatest progressive rock band.
The questions about Billy Sherwood’s latest Prog Collective album are really twofold: Does it work? And what do the guests bring to the party?
This homage to his heroes in Kiss also captures Ken Sharp’s own musical imagination in full force.
Ben Monder, Tony Malaby and Tom Rainey are superb jazz musicians but for the live improv set ‘Live At The 55 Bar,’ they were clearly reaching for something beyond the bounds of jazz or any other genre.