Michael Bisio, Kirk Knuffke and Fred Lonberg-Holm are artistic rebels as Robert Henri was, but their music isn’t outside just for the sake of being outside.

Traffic’s albums are presented in their original packaging and sport the iconic pink U.K. Island Records label. Unfortunately, they forgot a key element.

‘Ride a Rock Horse’ managed a bit of a tougher edge, compared to Roger Daltrey’s self-titled debut effort from 1973.

‘Confabulations’ wasn’t made with the public in mind, and that might be why this makes such a great entry point for the avant-garde side of Duck Baker.

It’s unclear why “You Can Be Saved” wasn’t finished for ‘Tormato’ or some future project, but such speculation is the joy of being a Yes fan.

Patrick Ames’ ‘The Virtualistics’ encompasses the good and bad of the pandemic, but the overriding message is hope.

On ‘Telepathy,’ long-established veterans Denny Zeitlin and George Marsh act like young upstarts, showing the jazz world a fresh new approach.

Joe Bailey joins Preston Frazier to discuss the U.K.-based prog-rocker’s new solo project, his creative process and plans for another Dark Monarchy album.

Closing ‘Night and Day: Big Band’ triumphantly, “Take the ‘A’ Train” makes me wish Chicago had included more big-band covers on their earlier albums.

With ‘Love Life Choices,’ Rebecca Angel’s sense of self and individuality shine like a veteran.