Doogie White has been busy, expanding a previously released album while also forming a new project called Long Shadows Dawn.

Lyle Mays’ “Eberhard” serves as a bittersweet coda from a largely unsung brilliant musician who left us – as we learn here – still at the height of his powers.

“Love Conquers All,” a Chris Squire/Billy Sherwood outtake from the patched-together ‘Union’ album, deserves a more prominent place in the Yes canon.

Released at just the right time, Dan Markell’s “Carnival Game” is the perfect addition to your summer soundtrack.

The Who released ‘Who’s Next’ 50 years ago this week, instead of ‘Lifehouse.’ Let’s see if we can reconstruct that ever-elusive rock opera.

Of the four songs released on Chicago’s two ’90s-era greatest-hits albums, “Show Me a Sign” is my third favorite.

Pastoral psychedelic drones are the order of the day with Ross Hammond and Kevin Corcoran’s ‘Music For Lighthouses 2,’ minimalist renderings using Delta bluesmen tools of trade as a foundation.

Authors Kenneth Womack and Jason Kruppa look at a crucial year in the relationship between George Harrison and Eric Clapton — as well as the time preceding it.

The Black Album arrived 30 years ago today, hurtling Metallica into the mainstream. It felt like something sacred had been taken away.

‘Mortality’ is the music of Tapio Ylinen, the Finnish singer-songwriter, performed by a stellar cast of jazz musicians from Finland.