While America and the rest of the world tries to regain its footing, Dan Rosenboom, Billy Mohler and Anthony Fung have already made a full recovery music-wise. ‘Refraction’ is the sweet sound of renewal.
There would be no point in remaking an entire album if it were to be done the same way. That was the challenge before Dan Cavalca and he rose to it by converting the freewheeling, improvised ‘Colors of Red Island’ into the creatively electronic ‘Lights of Red Island.’
“Give and Take” only made it onto the version of ‘Union’ released in the U.K. Too bad; it’s easily one of this Yes album’s better moments.
Head With Wings’ new EP offers a 17 minute-plus glimpse into a very modern prog-rock world filled with the beauty of a continuous thought.
‘Mayan Space Station’ is another facet of the multi-dimensional artistry of William Parker. The first listens will surprise, and later listens will uncover that the same man who brought us ‘O’Neal’s Porch’ and ‘I Plan to Stay a Believer: The Inside Songs of Curtis Mayfield’ can absolutely be the brainchild behind these spiritual, loose rock jams.
Ironically named, Chicago’s Lenny Kravitz-produced “The Only One” is frustrating because it keeps you wanting and wishing for more.
That blues spirit is alive and well inside Mike Zito and with ‘Resurrection,’ he spreads that healing feeling to anyone within earshot of his music.
Matt Mitchell and Kate Gentile’s “for teens,” “spinal thought” and “peripheral drome” are spare conceptions with rich detail filled in on the fly from the assembled collection of improvisation masters.
“It Starts When We Disappear” is the enthralling opening track from Pat Metheny’s upcoming September 2021 release, ‘Side-Eye NYC (V1.IV).’
Pure Toto pop at its finest, “Chelsea” would also have made a solid addition to Joseph Williams’ excellent solo album, ‘Denizen Tenant.’
