Progressive bluegrass and old-time jazz collide on the forthcoming Old Brooklyn in the person of Andy Statman, the clarinet and mandolin virtuoso. You May Also Like: Big Brooklyn – Purpose (2018) Bela Fleck, Robin McKelle, Delfeayo Marsalis + Others: Five For the Road
On this night, Bob Dylan once again proved he was no fan of history. And that’s why I’ve been a fan of his for so long.
Former Yes vocalist Jon Anderson will release an epic musical work titled “Open” as a digital download on Tuesday, October 25. The piece marks a return to the long-form compositions that Anderson became known for as a pioneering member of Yes You May Also Like: The Solo Song Where JonRead More
Turns out, Transatlantic is a modern-day prog-rock supergroup in the most complete sense of the word: That means bass pedal solos. You May Also Like: Neal Morse Did It All (Again) on ‘Songs from November’
by Derrick Lord When you mention Matt “Guitar” Murphy around people who think they know something about blues music, but really don’t … you frequently get a response of rolled eyes. You May Also Like: Leviathan Drummer Gary ‘Roscoe’ Murphy: Something Else! Interview The Everly Brothers – Two Yanks inRead More
You’d think that an acoustic jazz trio with an acoustic guitar would be done a lot more often than it is, but no, most jazz guitarists like to plug in. Not Fred Fried, though, and we found out with last year’s Core 3.0, his rich lyricism and incisive playing makesRead More
“Mark, it’s only a number.” That was the advice my mom had for me when it seemed like I wasn’t so happy to be turning 40. You May Also Like: Pink Floyd – ‘Delicate Sound of Thunder’ (1988; 2020 expanded vinyl reissue)
Oh yes. The gnashing of teeth, the bitching, the moaning, it has begun. Actually, it started a while ago when Lou Reed and Metallica released a preview of “The View” from their upcoming Lulu. You May Also Like: Lou Reed Head Faked His Fans Once Again With ‘Animal Serenade’
Jimmy Cobb, the primarily self-taught drummer who rose to prominence during a ’50s-era stint with Miles Davis, takes us inside the free-form sessions favored by his old boss.
“Wild Man,” the advance single from Kate Bush’s forthcoming LP is both a bold return to the magic, the unrealism, and the glittering whimsy of her early work — and a tip of the hat to her slightly more conventional hitmaking pop arias of the 1980s. You May Also Like:Read More
