Here on the new album from Sarah Maisel, we’re serenaded with interpretations from a broad scope of genres. The method in which Sarah performs these tunes is strictly that of the easy-listening mold. But what causes the songs to be different from the usual undertakings of such a style isRead More

The Gathering, a homey Christmas-themed Americana and roots album, features singer-songwriter Laurelyn Dossett and others recording in a suitably rustic locale: a house in Greensboro, North Carolina. You May Also Like: Richard Lloyd Giddens Jr. – Mimosas (2017)

The Bo-Keys, with a spring-loaded, testifying Memphis vibe associated with Otis Redding, Rufus Thomas and Al Green, have put out an album that bubbles like a dark, spicy gumbo. You May Also Like: Al Green’s Secular Comeback Was Made Complete With Lay It Down The Black Keys Hit Upon theRead More

Little Worlds is another one of those oddly configured trios that’s been popping up lately in jazz, but there is nothing gimmicky sounding from this guitar (Ryan Mackstaller), trombone (Rick Parker) and drums (Tim Kuhl) getup. With all three of these musicians being veterans of rock, jazz and whack jazz,Read More

At the El Rey Theater, Los Angeles I don’t get to see concerts like I used to. Back in college, it seemed like I saw something every couple of weeks. You May Also Like: Alice Cooper, Oct. 28, 2016: Shows I’ll Never Forget The Everly Brothers, Oct. 30, 1998: ShowsRead More

Having already shown a smart penchant for pensive, piano-driven pop, Vanessa Carlton becomes quieter still for this effective update of a modern-day John Lennon holiday standard. You May Also Like: Larry Carlton was at his most approachable with Tak Matsumoto on Take Your Pick

Though she doesn’t make radio hits anymore, Me’Shell Ndegéocello just gets more interesting as her focus gets ever sharper. You May Also Like: Meshell Ndegeocello – ‘The Omnichord Real Book’ (2023) Thrift Store Halo – ‘Enemies With Benefits’ EP (2022) The Crazy World of Arthur Brown, “Fire” (1968): One TrackRead More

Through blistering words, booze and blood, Oasis was still able to accomplish a feat not even their elder idols from Liverpool ever could.

In what just may be the freak-nastiest Yuletide-themed track ever, Holidelic takes Tchaikovsky’s delicately ornate “Dance of the Sugar Plum Fairies” on a grave-spinningly fonky ride. You May Also Like: Neil Young Set a Solo Course on ‘Sugar Mountain: Live at Canterbury House’

Are there any big-name musicians out there who seem to be universally loved but that you sort of don’t get? Yeah, me too. And it’s always kind of bugged me. You May Also Like: Philip Glass Transcended David Bowie’s Towering Influence on ‘Low Symphony’ How David Bowie’s ‘Reality’ Stood OutRead More