Deadly Orgone Radiation shows what happens when musicians come together who listen, cooperate and interact on a level unattainable for many.

One of Paul McCartney’s earliest compositions, “Like Dreamers Do” finds the Beatles as a very young band, still searching for their distinctive sound.

Jon Anderson and Billy Sherwood look back on Yes’ Frankenstein-like collaborative album ‘Union,’ released on April 30, 1991.

Neal Schon’s “El Matador” underscores a musical symbiosis with Steve Smith that lingers from their time together in Journey.

Richard Thompson is a traveler, always has been, and “Beatnik Walking” — both in its lyric, and in its creation story — speaks to that.

Les McCann’s free-form soul-jazz experiment ‘Invitation to Openness’ is the sound of someone loosing himself from the bonds of expectation.

Released as part of ‘Tug of War’ in April 1982, “Take It Away” is McCartney’s last best pop hit – but there was a darker undercurrent at work.

As a vehicle for this promising woodwinds talent from Poland Mat Walerian, his encounter with Matthew Shipp on ‘Live at Okuden’ makes good on that promise.

“Oh Daddy” got Adrian Belew a solo deal with Atlantic, who released ‘Mr. Music Head’ on April 28, 1989. The worry was that he’d be forever saddled with it.

This Beatles cover shows how unique original guitarist Peter Banks was, and how important his contributions were to the early Yes sound.