Jimmie Vaughan’s ‘Plays Blues, Ballads & Favorites,’ released five years ago this summer, shined a needed spotlight on some largely unheard covers.

In the period immediately after New Orleans’ levees failed under Hurricane Katrina’s onslaught beginning on Aug. 29, 2005, musicians began trying to make sense of things.

Mike Pride states, “making this solo record has been a total mind-bender.” Listening to ‘Listening Party’ is a mind-bender as well.

An ‘Animal House’-style party ambience, surrounded by garage rock grooves and crafty pop detours, powers the New Trocaderos’ ‘Thrills and Chills.’

A model of consistency, style and grace, Michael Dease stays at the head of the class among jazz trombonists with his seventh album, ‘Decisions.’

Passed over as an A-side, “Thank You Girl” illustrated the foundational role the blues, R&B, and early rock ‘n’ roll played in the Beatles’ early sound.

Motley Crue’s ‘Theatre of Pain’ doesn’t equal the power of ‘Shout at the Devil’ or the sleazy fun of ‘Dr. Feelgood,’ but it’s worth another listen.

Guitarist Matt Gold and drummer Nate Friedman display a jazz acumen well beyond their years on Sun Speak’s sophomore album, ‘Sacred Rubble.’

The Alan Parsons Project’s ‘Eve’ arrived on August 27, 1979 with a life-changing – or, at the very least, an ear drum-rearranging – instrumental.

Tad Robinson has made a filler-free quality soul-blues record that faithfully follows in the stellar tradition of Hill, Bland and Little Milton.