Maybe Taylor Jenkins Reid’s ‘Daisy Jones & the Six’ isn’t about rock ‘n’ roll at all. Maybe it’s more about love, and who you love and how you choose to love them.

‘Become the Discovered, Not the Discoverer’ by Keiji Haino, Merzbow and Balazs Pandi ain’t got no edits, no overdubs, nothing planned in advance. Just pure unadulterated impulsiveness.

Preston Frazier’s Best of 2019 Jazz includes MaiGroup, Alan Evans, Catherine Russell, Jon Herington and Jim Beard, Bob Sheppard, Oz Noy and Kelley Suttenfield, among others.

With ‘Ineffable Joy,’ Ivo Perelman makes a significant addition to free jazz’s most fabled record company catalog.

Using high-level musicianship and a great sense of harmony and rhythm to carry out one instantaneous idea after another is the trademark of Claudio Scolari Project.

Mike Tiano explores the wide-open spaces created for progressive rock inside the Beatles’ ‘Abbey Road.’

Mike Pride & id m theft able are a match made in heaven – or rather, the outlying regions of heaven where few dare to tread.

Even if the music isn’t so simple, the intricacy on Matt Mitchell’s ‘Phalanx Ambassadors’ makes it so absorbing.

King Crimson’s ‘In the Court of the Crimson King’ was a product of a time when creating new styles with no boundaries was not only welcomed but expected.

Listening to his own work like ‘No Justice – Justification’ and ‘Revolt Against State Stimulated Stockholm Syndrome,’ it becomes crystal clear why so much better-known talent like to be around him.