“The Lady In My Life” is a tribute to the late Rod Temperton’s pop songcrafting genius and the flair Kait Dunton has for surprising, smart arrangements.

I returned to a 2009 live album, Leonard Cohen’s first newly recorded release since 2004’s ‘Dear Heather,’ during the first dark evening without him.

“Holyanna” is perhaps Toto’s second best “name” song – after “Rosanna,” of course.

The Beatles’ “Getting Better” illustrates John Lennon and Paul McCartney’s collaborative style, differing outlooks, and willingness to reveal personal truths.

A highlight from Chicago’s most jazz-oriented album to date, “Mother” is a perfect example of the era’s political activism and musical eclecticism.

Twenty years on, Mike Tiano recommends “Tom Hanks’ Extended Cut” of ‘That Thing You Do!’ – but only to hardcore fans.

Struck by David Dower’s maturity and musicality, Sammy Stein tracked down this emerging new talent to find out more.

Up until recently, “Awaken” was at the bottom of my list when I thought of Yes’ so-called epic songs.

I’ve long thought Peter Cetera was underrated as a bass player, and Chicago’s “Happy ‘Cause I’m Goin’ Home” illustrates the point.

Steve Elliott caught up with Dan Ropek, author of ‘Tragic Magic: The Life of Traffic’s Chris Wood,’ to discuss this often-overlooked figure in rock.