33Jazz Records at 30: As Always, a Fierce Advocate for Women
33Jazz Records’ initial raison d’etre was the support of women in music, and that’s very much part of their ethos today.
Spotlight
Nick Mason’s Saucerful of Secrets, March 13, 2019: Shows I’ll Never Forget
Sitting on the fence about attending an upcoming show by Nick Mason’s Saucerful of Secrets? Mike Tiano is here to push you off.
Wynton Marsalis Finally Learned How to Have Fun Again With ‘The Magic Hour’
Wynton Marsalis signed with the Blue Note label 15 years ago, then released an album worthy of that bastion of earthy joy.
Michaël Attias, “Trinité” from ‘èchos la nuit’ (2019): Something Else! sneak peek
‘Echos la nuit,’ which translates into “echoes the night,” is a unique moment for Michaël Attias: This is his first unaccompanied album.
Justin Townes Earle Came of Age on the Rootsy, Focused ‘Midnight at the Movies’
10 years ago, Justin Townes Earle’s ‘Midnight at the Movies’ showed that simple and bold can certainly outshine complex and epic.
The Beatles, “Yer Blues” from the White Album (1968): Deep Beatles
Is this Beatles deep cut a parody of blues cliches, or John Lennon’s sincere cry for help?
When John Frusciante Returned to Solo Work on ‘Shadows Collide With People’
John Frusciante released a solo album 15 years ago this week that wasn’t as hot as the Red Hot Chili Peppers, nor as funky – but more distinctive than you might expect.
The Oscars: Time to Celebrate and Not Berate
The Oscars have tragically lost their way. Mike Tiano offers a few ideas on fixing them.
How Joe Bonamassa Finally Arrived With ‘The Ballad of John Henry’
10 years ago this week, Joe Bonamassa discovered the perfect balance between his penchant for blues covers and ’70s-style hard rock.
David Ian’s ‘Valentine’s Day’ Made Romance Romantic Again
Released five years ago, David Ian’s ‘Valentine’s Day’ deftly explored the contours of romantic moods – from the lusty to the lovely.
