Does Steve Cropper ever grow weary of his most familiar hits?: ‘Some guys don’t like to do the same thing’
Steve Cropper has been playing “Midnight Hour,” “Green Onions” and “Soul Man” for decades. It’d be understandable if he became tired of them.

Steve Cropper has been playing “Midnight Hour,” “Green Onions” and “Soul Man” for decades. It’d be understandable if he became tired of them.

Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”
Songs like “Burn” show how well Toto operated creatively on ‘Toto XIV.’ So why does David Paich say it might be their last album?

Up and coming jazz guitarist and composer Syberen van Munster and his band will be performing the evening of March 3. Catch a live stream of it on LIVAMP or a replay later on. Details inside this article!

Papa Mali’s “I’m a Ram” is an intriguing voodoo of sex and danger, something that seems to always surround the best Louisiana music.

There won’t be more ‘Endless River’-style explorations of additional unheard Pink Floyd songs for future albums. Nick Mason explains why.

Steve Porcaro’s official return to Toto hasn’t gotten the attention it deserves. An import bonus track from the upcoming ‘Toto XIV’ fixes that.

Lindsey Buckingham says getting any Fleetwood Mac project off the ground involves a difficult decision-making process.

Something immediately clicked between Wilson Pickett and Steve Cropper. Their first writing session, in fact, produced an astounding three hit songs.
Tony Kaye was on the way back from a Yes performance at Basingstoke in 1970, when the band was involved in a horrific crash.