Christine McVie’s absence from ‘Say You Will,’ released this week in 2003, left Fleetwood Mac critically unbalanced. They could have used an editor, too.

Gary Burton’s country-jazz experiment ‘Tennessee Firebird’ broke every rule. He joins Tom Wilmeth to discuss a gutsy decision to record in Nashville.

Has Yes finally hit upon a successor to Jon Anderson who diehard fans will accept? Keyboardist Geoff Downes thinks so – and here’s why.

Adam Lambert has learned many things during his time fronting Queen, not least of which is how to approach both fame and the nightlife.

Daniel Lanois had already produced a slew of stars prior to his first record for Bob Dylan. Still, he was wary when it came to 1989’s ‘Oh Mercy.’

Bluey’s new tune “Saints and Sinners” doesn’t get the point across from the lyrics alone: the music delivers, too.

When Steve Cropper finally got a chance to work with Percy Sledge, he did everything he could to make it happen — regardless of the cost.

Percy Sledge has died at 73 having long been dubbed a one hit wonder. But that one hit – “When a Man Loves a Woman” – was a wonder, indeed.

Fleetwood Mac’s ‘Tango in the Night,’ released this week in 1987, grew out of another trampled project by Lindsey Buckingham. He’d be gone for 10 years afterward.

Steve Perry says he had no idea before his first Giants game that Journey’s music had become such an integral part of sports.