The advance single from Ian Anderson’s Gerald Bostock-themed ‘Homo Erraticus’ shows he’s still got the musical goods.

That there was unheard music from Nick Drake, dead four decades now, is one thing. That is as delicate and funny as “Reckless Jane” makes it all the more of a wonder. You May Also Like: No related posts.

David Uosikkinen reunites with fellow founding members Rob Hyman and Eric Bazilian for an anthematic reworking of “Beat Up Guitar,” originally the closing track from the Hooters’ folkier, more personal 1989 release Zig Zag. There could perhaps be no better concluding song for Uosikkinen’s new Philly-focused set of songs. YouRead More

A heart-wrenching tale of the search for redemption, with a calescent riff to match, John Wesley’s “Mary Will” is for everyone who ever worried they’d never overcome the mistakes of the past. You May Also Like: No related posts.

A gloriously off-kilter instrumental blues from Jack White, “High Ball Stepper” advances the rootsy weirdness that made 2012’s Blunderbuss such a fizzy wonder. It will catch a groove, then devolve into a wide-open space of ruminative piano, then evolve again into a blister of smeared guitar sound. Is there suchRead More

By all rights, this should not be my kind of thing. A synth-pop band fronted by a singer who’s bubbling over with earnestness? Sometimes, the “rules” just do not apply. You May Also Like: No related posts.

Once again, Bob Mould slashes, blazes, wails and reveals – all around a timeless melody. That’s his gift, on “Hey Mr. Grey,” and always.

This is a love story, told from inside a heart — not meant for public consumption, in the broadest sense of the word. This isn’t How I Met Your Mother; it’s how I found a way to express something that maybe only I understand. You May Also Like: Henry Bateman,Read More

I hadn’t had the feeling for a long time: that crestfallen heaviness of learning that a band had broken up. It’s something that really used to hit me when I was a kid. Attachments to bands and their music were particularly powerful, and when a breakup was announced…it felt personal.Read More

Julian Lennon’s stripped-bare version of “Guess It Was Me,” just released as part of a new song-by-song video project for his most recent studio project Everything Changes, more clearly defines its message of personal empowerment. There is much to regret, Lennon says, but little time for doing so. Change canRead More