Cannonball Adderley, ‘Walk Tall’ (1969): One Track Mind
Urged on by a buoyant audience, Cannonball Adderley’s “Walk Tall” becomes both a call to action and a celebration of spirit.
Urged on by a buoyant audience, Cannonball Adderley’s “Walk Tall” becomes both a call to action and a celebration of spirit.
Lodged toward the end of a nostalgic song cycle that attempts (with varying degrees of success) to recreate the soaring pop music of his California youth, Brian Wilson offers a moment of naked, welcome honesty. On “Midnight’s Another Day,” away from the florid orchestrations and dense backing vocals associated withRead More
The title of this Chicago song, named after a Greek character who eternally pushes a rock up hill only to have it roll back down, is sadly ironic.
by S. Victor Aaron Last month Al Green released a new album, Lay It Down, which I’d recommend to any fan of pure, old-school soul. Later this month Chicago’s Stone Of Sisyphus, originally record in 1993, will finally be officially released. But twenty years even before that was taped, bothRead More
I’m a little biased when it comes to Steely Dan. But my biases can’t shield me from the realization that this is a mediocre Walter Becker song.
If you’ve dismissed the Stylistics’ “People Make the World Go Round” because it might be a played of a soft-rock oldies station, take a closer listen.
NICK DERISO: Produced by an actual working-class hero, touching listeners across every genre and making its case well away from the witheringly bright lights of the Sun Records myth, I’d argue that this record was when rock and roll finally came into its own. Written by legendary Frank Sinatra producerRead More
NICK DERISO: “Guess Who I Saw Today,” from Nancy Wilson’s second Capitol Records recording “Something Wonderful,” always stops me in my tracks. “You’re so late getting home from the office,” she begins. “Did you miss your train? Were you caught in the rain? No, don’t bother to explain.” And soRead More
by S. Victor Aaron On prior columns I’ve made no bones about my affinity for early Chicago songs. Danny Seraphine’s comeback album is a triumph because the band’s founding drummer brought back the spirit of his old band. And singer/keyboardist/songwriter Robert Lamm’s openness for melding complex jazz with straightforward bluesRead More
With all the All Star albums of 2007 out of the way, there’s just one more piece of year-end business to take care of: my favorite song of the year. Like the top CD of the year, this one didn’t require much agonizing. It’s a song that puts me inRead More